- #BEST MAC FOR AFTER EFFECTS FOR MAC#
- #BEST MAC FOR AFTER EFFECTS FULL#
- #BEST MAC FOR AFTER EFFECTS PRO#
- #BEST MAC FOR AFTER EFFECTS SERIES#
The biggest advantage of the slightly larger screen is having smaller bezels. How about we split the difference? A slightly larger screen with essentially the same body design? I can live with that and I think many fans of the classic 17" MacBook will be a little bit happier. However, some users do prefer having that extra screen real estate, size be damned. I don’t think Apple is looking to bring it back either, considering its obvious absence since the development of the Retina models. I was never one of those people, because it was absolutely massive. And then the computer played it back in QuickTime flawlessly.įor video editing, this new machine is the best MacBook yet.
That is huge, because my older Macs take multiple times longer to output in HEVC. The hardware acceleration and better processing exported the same 4K file in just 57 seconds. An even better example of the benefits of more modern components comes in H.265 (HEVC) exports.
#BEST MAC FOR AFTER EFFECTS FULL#
This relatively simple project was outputting an H.264 file faster than real-time: the 1:20-long video exported in 52 seconds, and a Full HD version took just 28 seconds. When I started throwing on some titles and graphics with a bit of motion, I started to get a bit of stuttering, but that quickly resolved itself once the text was off screen.Įxporting feels much faster, too.
#BEST MAC FOR AFTER EFFECTS PRO#
With a few grades, a little stabilization, and some transitions, the MacBook Pro gave me buttery-smooth 23.976 playback with the 4K timeline-no proxy mode needed. Normally, I have some issues running the native footage on my laptop-it is compressed, after all-but the 16" MacBook Pro handled it very well. Loading up a new 4K project with XAVC S files direct from my Sony a7 III felt like a good place to start.
#BEST MAC FOR AFTER EFFECTS FOR MAC#
To further test it, I opted for DaVinci Resolve, as we all already know that Final Cut Pro X is super-optimized for Mac computers. Loading up Oceanhorn 2 from Apple Arcade and throwing it into full screen sent the MacBook into overdrive with the fans sounding like they were going full blast. It was a much asked-for feature and seems to have worked out, though it is still a laptop, I want to warn you. Redesigned thermals should guarantee longer run times at higher performance. It is, at the very least, annoying and, at most, an indicator that the machine isn’t working to its full potential. Nearly every time I do work on it-even if that just means opening a photo in Photoshop-the fans kick on in no time at all. I only edit lightly for an hour or two at a time, or I move it to my iMac for more serious jobs. The way I use my current 15" MacBook Pro (Late 2016), I haven’t necessarily put it through these sustained tests. Essentially, it’s a realistic choice for most video editing needs and is close to being the top-of-the line machine-though you could opt for 64GB of RAM if you feel you need it. We picked up the 2.4GHz Intel® Core™ i9 8-Core model with 32GB RAM and the AMD Radeon Pro 5500M with 8GB GDDR6. While we found out that the last generation’s design didn’t quite hold up to the heat during intense applications of constantly running the machine at full power, this new model appears to be the first MacBook Pro that is up to the task of a sustained editing workflow.
#BEST MAC FOR AFTER EFFECTS SERIES#
With no unnecessary hardware restrictions, the new 16" comes in configurations with up to an 8-core processor, 64GB RAM, and AMD Radeon Pro 5000M series graphics with up to 8GB GDDR6 VRAM.
Apple seems to have finally realized this with its most recent crop of MacBook Pros. It isn’t something that can be solved by adding a single new component. Video editing demands a great deal from mobile machines.
A new screen, new thermal architecture, new internals, a new battery, and a new keyboard all come together to create the best laptop Apple has ever made. We finally received some superior power with the most recent release, but catching up in specs just isn’t enough these days-this is why the 16" MacBook Pro is such a significant release. Many video editors I know rely on a MacBook Pro as their personal, everyday machine, and many video editors I know also have been wanting a lot more from the MacBook Pro over the past few years.
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